From Talking to Thinking Heads: Report 2008
[PDF] from armanaresearch.org..., D Powers, M Riley, S Stelarc... - ... on Auditory-Visual ..., 2008 - isca-speech.org
... 1. Introduction The Thinking Head project [1] originated from the interaction of
performance artist Stelarc [2] and his 'Prosthetic Head', with a number of cognitive,
computer, speech and language scientists. Building on the Prosthetic ...
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[PDF] Talk to me: getting personal with interactive art
[PDF] from psu.eduK Cleland - Interaction: systems, practice and theory, 2004 - Citeseer
... H: It is something that makes me feel slow with groups. (Source: http://www.kenfeingold.com/)
Stelarc's "Prosthetic Head" (2002) is another interactive 3D talking head, although in this case
the head is a virtual projected image. ... Figure 14 Stelarc, "Prosthetic Head", 2002. ...
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[CITATION] Stelarc's prosthetic head
J Clarke - Ctheory, 2005
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In conversation with the body conveniently known as Stelarc
C Abrahamsson... - Cultural Geographies, 2007 - cgj.sagepub.com
... of media as our extended nervous system, Stelarc argues that '[p]lugged in, the body becomes
a parasite sustained by an extended, external and virtual nervous system.'4 Stelarc's more recent
and ongoing projects and performances include the Prosthetic Head - an artificial ...
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[CITATION] Sensualities/textualities and Technologies: Writings of the Body in 21st Century Performance
S Broadhurst... - 2009 - Palgrave Macmillan
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Interactive Art: Digital Entities and the Audience Experience
M Miranda... - Multimedia, IEEE, 2008 - ieeexplore.ieee.org
... Stelarc's Prosthetic Head is another interac- tive, talking head that converses with gallery
audiences. ... Similarly, although attempts have been made to make Stelarc's Prosthetic Head as
lifelike and naturalistic as possible, it still comes across as strange and peculiar. ...
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Corporeal Mélange: Aesthetics and Ethics of Biomaterials in Stelarc and Nina Sellars's Blender
J Clarke - Leonardo, 2006 - MIT Press
... Nevertheless, the artist's body, so preva- lent in Stelarc's performance oeuvre and alluded to
in his Prosthetic Head instal- lation and tissue-engineered quarter-scale extra ear project, has
disappeared com- pletely from Blender, in which the body of the artist, at least in its ...
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Thinking head: Towards human centred robotics
DC Herath, C Kroos, CJ Stevens... - ... Robotics & Vision ( ..., 2010 - ieeexplore.ieee.org
... Also the authors would like to thank Stelarc for insightful discussions with him, his artistic
interpretations and most of all providing the impetus for the project through his prosthetic head
(thanks also go to the original developers) and the Articulated Head. ...
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[CITATION] IN RECENT YEARS I'VE HAD AN INCREASING NUMBER OF PhD STUDENTS REQUESTING INTERVIEWS TO ASSIST IN THEIR RESEARCH.
H Stelarc... - ... and Technologies: Writings of the Body ..., 2009 - Palgrave MacMillan
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[HTML] Stelarc: The Monograph
[HTML] from culturemachine.netE Scheer - Culture Machine, 2006 - culturemachine.net
... Cambridge, MA and London: The MIT Press. ISBN 0-262-19518-6. Does Stelarc's Prosthetic
Head Dream of Electric Sheep? Edward Scheer. ... This was, of course, a reference to Stelarc's
Prosthetic Head interactive project then on display at a gallery in Western Sydney. ...
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Reconfiguring Human-Robot Relations
L Suchman - ... Communication, 2006. ROMAN 2006. The 15th ..., 2006 - ieeexplore.ieee.org
... This alternative is developed through a close analysis of a project at the intersection of computing
and new media art, performance artist Stelarc's Prosthetic Head. ... I elaborate these ideas further
through the case of performance artist Stelarc's 'Prosthetic Head'. ...
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The floating head experiment
D St-Onge, N Reeves, C Kroos, M Hanafi... - Proceedings of the 6th ..., 2011 - dl.acm.org
... An aerobot was combined to Stelarc's artwork named "The Prosthetic Head", which
consists in the 5-meters-high pro- jection of a 3D avatar linked to a chatbot-like
discussion en- gine in order to interact with the visitors. Stelarc's ...
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[RTF] Speech to a conference by prosthetic head number zero point zero eight.
[RTF] from vicnet.net.auECE Sum - vicnet.net.au
Speech to a conference by prosthetic head number zero point zero eight. I tell you once, I am
Gnu, not new. ... Julie Clarke has shown them how their machines highlight their physical infirmities.
Stelarc has characterized their bodies as empty, involuntary, and zombified. ...
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[CITATION] Scan Journal ISSN 1449-1818
S Collins
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[CITATION] Extra Ear: Alternate Anatomical Architectures 2007: a Selection of Stelarc's Projects and Performances With, Prosthetics, Robotics, the Internet and ...
..., Stelarc - 2007 - Brunel University
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Abject Bodies Beckett, Orlan, Stelarc and the politics of contemporary performance
K Smith - Performance Research, 2007 - Taylor & Francis
... View larger version(105K), •above: Stelarc: prosthetic head, San Francisco, Melbourne, 2003.
Stelarc's conception of body is specific: he states that when he speaks of the body, he speaks
of this cerebral, phenomenological, aware, and operational entity immersed in the world. ...
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[CITATION] Journal of media arts culture
S Collins
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Mixed reality interaction: audience responses to robots and virtual characters
[PDF] from kathycleland.comK Cleland - Digital Creativity, 2010 - Taylor & Francis
... While some interesting conversations occur between audience members and Stelarc's
Prosthetic Head, often the head's conversational responses are socially inappropriate or
fall short of audience's expectations of a typical human conversation. ...
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Interview with Stelarc (January 16, 2008)
D Tofts - Computers in Entertainment (CIE), 2008 - dl.acm.org
... Stelarc's website is www.stelarc.va.com.au In this video interview, Stelarc will answer the following
questions: ... 4. Similarly, other recent work, such as Prosthetic Head and Walking Head have revived
the historical figure of the zombie as a means of extending your notions of ...
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[HTML] Chaos Magic
[HTML] from scan.net.auS Collins - scan.net.au
... figures. Stelarc?s "Prosthetic Head" installation project would provide an excellent
framework with which to work: ... Books. Stelarc, "Prosthetic Head", http://www.stelarc.
va.com.au/prosthetichead/ last accessed 20th March 2004. ...
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Art: Body work
A King - Nature, 2011 - nature.com
... Stelarc's Prosthetic Head, a giant on-screen avatar whom visitors can interrogate through a
keyboard, has been a major draw. The head, occupying a room of its own, displays real-time
lip synching, speech synthesis and facial expressions - and attitude. ...
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[PDF] On Board
[PDF] from umich.eduB Craig - lsi.umich.edu
... existence itself. By Patricia Olynyk, Assistant Professor & Director, Penny W. Stamps
Distinguished Visitors Program, UM School of Art + Design Stelarc and the
"Prosthetic Head" Inset: Stelarc and Patricia Olynyk "Dan and I ...
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Sensualities/Textualities and Technologies: Writings of the Body in 21st-Century Performance (review)
S Schaffner - Theatre Journal, 2011 - muse.jhu.edu
... Accordingly, John Freeman considers John Leguizamo's work, Josephine Machon analyzes
the plays of Caryl Churchill, and Stelarc discusses his own interactive piece "Prosthetic Head."
The latter is one of the highpoints of the collection, as Stelarc's three-dimensional ...
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[PDF] Real-Time Motion Tracking in digital art installations
[PDF] from b-youth.comO Habibi - b-youth.com
... 1 Arnspang, Jens, "MOSART Task 4 survey", page 4. Available online at: http://www.diku.dk/
forskning/musinf/mosart/midterm/T4/arnspang-detection.pdf 2 Stelarc, 2003; "Prosthetic Head".
Available online at: http://www.newmoves.co.uk/archives/newterritories2003/stelarc.htm ...
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The Rhetoric of Digital Utopia after Sade: Utopian Architecture and the Static Subject of Digital Art
E Amiran - Discourse, 2011 - muse.jhu.edu
... The skin of the Prosthetic Head, constructed from digital images of Stelarc' [sic] own head,
overlaid onto the polygon scaffold becomes not just a Prosthetic Head, but Stelarc's prosthetic
head, for it is an animated, digital self-portrait of the artist. 64. ...
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[PDF] Intimate Encounters: the Mixed Reality Paradigm and Audience Responses
[PDF] from escholarship.orgK Cleland - 2009 - escholarship.org
... Stelarc's Prosthetic Head, a 3D computer graphic animation based on scans of the artist's own
head, was created to look as much like Stelarc as possible and audience members converse
with the head by typing questions that the head answers using a computer generated ...
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[PDF] Face to Face has an exhibition catalogue, which includes an essay by the curator Kathy Cleland where she discusses the works in the exhibition and the ...
[PDF] from dlux.org.auD Cranswick - 2008 - dlux.org.au
... While the conversational remarks of the ventriloquist dolls in Biohead Actualized are one-sided
(the dolls cannot hear or respond to audience comments), Stelarc's Prosthetic Head takes the
idea of an animated conversational portrait a step further Page 8. KATHY CLELAND 5/5 ...
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[PDF] Face to Face has an exhibition catalogue, which includes an essay by the curator Kathy Cleland where she discusses the works in the exhibition and the ...
[PDF] from kathycleland.comK Cleland - 2008 - kathycleland.com
... While the conversational remarks of the ventriloquist dolls in Biohead Actualized are one-sided
(the dolls cannot hear or respond to audience comments), Stelarc's Prosthetic Head takes the
idea of an animated conversational portrait a step further Page 8. 1/3 ...
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Restoring Information's Body
[PDF] from indstate.eduS Hardin - 2011 - scholars.indstate.edu
... Suchman then discussed a topic related to her interest in humans interacting with machines.
Performance artist Stelarc created a "Prosthetic Head" a few years ago; Suchman had a
conversation with it in March of 2003. She showed a video clip of the conversation. ...
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Nonverbal intimacy as a benchmark for humanrobot interaction
B Lee - Interaction Studies, 2007 - ingentaconnect.com
... Future incarna- tions of the person-centered therapist emulator Eliza, and embodied conversa-
tional agents, such as Stelarc's prosthetic head (see Suchman, 2006), will doubt- lessly
continue to raise the bar on Turing-type tests of human emulation. ...
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ASIS&T 2010 plenary session: Restoring information's body
S Hardin - Bulletin of the American Society for Information ..., 2011 - Wiley Online Library
... Suchman then discussed a topic related to her interest in humans interacting with machines.
Performance artist Stelarc created a "Prosthetic Head" a few years ago; Suchman had a
conversation with it in March of 2003. She showed a video clip of the conversation. ...
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New Media and Interactivity
[PDF] from usyd.edu.auM Jensen - 2007 - ses.library.usyd.edu.au
... Visited 28/6/05 13 Prosthetic Head. Stelarc. Screen dump. http://www.stelarc.va.com.au/. Visited
26/8/04 14 PowerStation (2006). ... QuickTime(tm) and a TIFF (Uncompressed) decompressor are
needed to see this picture. Image 13, Prosthetic Head, Stelarc Page 29. 22 ...
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The listening room: a speech-based interactive art installation
[PDF] from asu.eduA Wright, A Evans, A Linney... - Proceedings of the 15th ..., 2007 - dl.acm.org
... 4.3 Artistic Context The Listening Room has been compared to The Prosthetic Head
by Australian artist Stelarc. However, the two works differ in several important ways.
The Prosthetic Head incorporates a large video projection ...
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[HTML] Digital parts/modular doubles: fragmenting the'digital double'
[HTML] from brunel.ac.ukD Ploeger - Body, Space and Technology Journal, 2011 - people.brunel.ac.uk
... double of Stelarc, as Dixon suggests, the movement of the pins of the prepared speaker on my
back could surely also be regarded as a double of me. In addition, if we consider that these
doubles may, in turn, be doubled themselves (why would Stelarcís Prosthetic Head not be ...
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[DOC] DOMENICO DE CLARIO-CURRICULUM VITAE
[DOC] from aeaf.org.auD de Clario - aeaf.org.au
... home on the range, sound performance at the breadbox, Perth. prosthetic head,
performance with stelarc, lindsay vickery, cat hope, PICA Perth. random selection; pattern,
order and chaos, installation, Holmes a'Court Gallery, Perth. 2003. ...
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"Involving Interface": An Extended Mind Theoretical Approach to Roboethics
M Anderson, H Ishiguro... - Accountability in Research, 2010 - Taylor & Francis
... robots. Artistic creativity also allows less restricted forms of thinking to emerge on
these topics. For example, the artist Stelarc (2005)49. Stelarc (2005). Prosthetic Head:
Intelligence, Awareness, and Agency. CTheory. http://www ...
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[PDF] Cinq minutes: Intimations of imminent virtuality
[PDF] from acva.net.auD Tofts - journal.acva.net.au
Page 1. D. Tofts, 'Cinq minutes,' Australian Journal of Virtual Art, Vol. 1, No. 1 (2011) Cinq minutes:
Intimations of imminent virtuality Darren Tofts She's beginning to suspect Eldon Tyrell In Matter
and Memory Henri Bergson's discussion of the manifold of duration ...
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[HTML] Also in this section
[HTML] from ctheory.netP Head... - 2005 - ctheory.net
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Project SLARiPS: An investigation of mediated mixed reality
J Stadon - Mixed and Augmented Reality-Arts, Media and ..., 2009 - ieeexplore.ieee.org
... REFERENCES [1] Stelarc. Prosthetic Head, , 1000 Days ofTheory: td018
www.ctheory.net/articles.aspx?id=490 Arthur and Marilouise Kroker, Editors. 2005
[2] Wittgenstein, Ludwig. Preliminary studies for the "Philosophical ...
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[PDF] The Interactive Object-Undermining the Artist and Empowering the Audience.
[PDF] from rhul.ac.ukM Flisher - rhul.ac.uk
... audience to revolve a metal axis and view the spinning plates from a metre away, to the
performances of Stelarc's Prosthetic Head (2002) in which the spectators could engage in a
dialogue with the object of Stelarc's art (Dixon 564). In more recent years the use of ...
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[CITATION] NeMe: Philosophy after Drawing by Andrew Benjamin
A Benjamin
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[PDF] BrunelNews
[PDF] from brunel.ac.ukS Old... - University News, 2007 - brunel.ac.uk
... In his lecture, Stelarc entertained the audience with some of his most recent research including
robotic arm and leg constructions, an artificially intelligent PROSTHETIC HEAD, the PARTIAL
HEAD with a tissue engineered skin and the EXTRA EAR - a surgically constructed ear ...
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[HTML] On 2 September, 2010, in Info, by Adam A. Ford
[HTML] from singinst.org.auSS AU - singinst.org.au
Andrew Dun, August 2010 Many discussions of strong artificial intelligence systems
(also known as AGIs or Artificial General Intelligences) convey the.
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[CITATION] Nastaniti prazninu ili ponašanje u belom
N Teofilovic - Genero, 2006
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[BOOK] Critical digital studies: a reader
A Kroker... - 2008 - books.google.com
... Page 9. viii Contents 31 Prosthetic Head: Intelligence, Awareness, and Agency 476 STELARC
32 Simulated Talking Machines: Stelarc's Prosthetic Head 489 JULIE CLARKE 33 Slipstreaming
the Cyborg: Interview with Christina McPhee 499 FRANCESCA DE NICOLÒ IN ...
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[CITATION] Environments for Interactive Dance
J Birringer - Performing nature: explorations in ecology and the ..., 2005 - Peter Lang Pub Inc
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[CITATION] NeMe: The New New: video art in the 21st century by Shaun Wilson
S Wilson
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PETA: a pedagogical embodied teaching agent
[PDF] from 163.22.21.145D Powers, R Leibbrandt, M Luerssen... - Proceedings of the 1st ..., 2008 - dl.acm.org
... nonverbal behaviours. The original Prosthetic Head was commissioned for
performance artist Stelarc, and the latest version is performing at the National Art
Museum of China in association with the Beijing Olympics. The Head ...
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Stelarc: Arte, Tecnologia, Estética e Ética
[PDF] from metodista.brE Franco - Educação & Linguagem, 2011 - metodista.br
... Também no ano de 2000, Stelarc completou Extended Arm - prótese robótica com onze graus
de liberdade que estende enormemente a ... Em 2003, The Prosthetic Head, um agente
computacional in- terativo sociável baseado em inteligência artificial, que fala às pessoas que ...
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Limited study of mechanical intelligence as media
[PDF] from rmit.edu.auS Middleton - 2011 - researchbank.rmit.edu.au
... In chapter two: Situated Intelligence and the Walking Head project I describe the collaborative
process between myself, Stelarc and F18 in Germany to produce a simulated prosthetic
head displayed on a video monitor mounted on a walking robot. ...
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[CITATION] NeMe: The Book Scales by Aristide Antonas
A Antonas
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Love in the Time of Tamagotchi
D Pettman - Theory, Culture & Society, 2009 - tcs.sagepub.com
Page 1. Love in the Time of Tamagotchi Dominic Pettman Abstract There is a popular conception
among many Zeitgeist watchers, especially in places like the US, Western Europe and Australia,
of the urbanized East as existing somehow further into the future. ...
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[PDF] "L'Isle (et autrefois Royaume) de Chypre", Paris 1720. Courtesy of the Bank of Cyprus Cultural Foundation.
[PDF] from moi.gov.cyP Moullart-Sanson - moi.gov.cy
Page 1. 1 Editorial The history of cartography of Cyprus presents an impressive diversity
and a wealth of material. The circulation of some 250 works in Western Europe over the
centuries reveals the unabated interest of the Occident in the island. ...
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[PDF] O corpo como identidade provisória: corpo, tecnologia e arte
[PDF] from rs.gov.brRF de Medeiros - Desenho e corpo presente: representação, ação, ... - fundarte.rs.gov.br
... E na série dedica a novas formas de confi- guração da cabeça humana: Cabeça Protética
(Prosthetic Head-2003), Proposta de Cabeça Parcial (Parcial Head- 2006) e Cabeça Andante
(Walking Head-2006); Stelarc combinou as mais variadas tecnologias: eletrônicas, me ...
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[PDF] Cryptographic hash functions and CD-based optical biosensors
[PDF] from drcameronjones.comCL Jones - Prob. Nonlinear Anal. Eng. Syst, 2005 - drcameronjones.com
Page 1. Cryptographic Hash Functions and CD-Based Optical Biosensors Cameron
L. Jones Centre for Mathematical Modelling and the Environmnent & Biotechnology
Centre Faculty of Engineering and Industrial Sciences ...
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[PDF] IMAGE AVATARS: SELF-OTHER ENCOUNTERS IN A MEDIATED WORLD
[PDF] from kathycleland.comK Cleland - 2008 - kathycleland.com
... 232 Figure 7-10 Stelarc photographed with his Prosthetic Head at ACMI (Australian Centre for
the Moving Image) during the Transfigure exhibition (8 December 2003 - 9 May 2004). 233 ... 240
Figure 7-16 Scan of Stelarc's head and face used to create his Prosthetic Head. 241 ...
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[BOOK] Bioethics in the age of new media
[PDF] from mit.eduJ Zylinska - 2009 - books.google.com
... I especially want to thank Clare Birchall, Dave Boothroyd, Rosi Braidotti, Dorota Glowacka, Gary
Hall, Sarah Kember, Angela McRobbie, Mark Poster, Nina Sellars, Doug Sery, Stelarc, Bernadette
Wegenstein, and Adam Zaretsky, as well as the anonymous MIT Press reviewers. ...
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[BOOK] Materializing new media: embodiment in information aesthetics
[PDF] from mcast.edu.mtA Munster - 2006 - books.google.com
... The interface is installed in a street in Potsdam. 119 FIGURE 16 Screenshot of
Memory Flesh 2.0: A Micro Media Record (2004) by Diane Ludin. 121 FIGURE 17
Stelarc, Skin for Prosthetic Head (2002). 131 Page 16. FIGURE ...
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Beating a Path. Designing in the Posture of Body
F Bronet - Performing nature: explorations in ecology and the ..., 2005 - books.google.com
... of artificial life and media art unleashed provocative research into genetic algorithms, cellular
auto- mata, tissue cultures, and behavioural robotics which also influenced, for example, Stelarc's
recent performance experiments with walking machines or the'Prosthetic Head'(2003 ...
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[BOOK] Liveness: Performance in a mediatized culture
P Auslander - 2008 - books.google.com
Page 1. LIVENESS PERFORMANCE IN A MEDIATIZED CULTURE Page 2. LIVENESS
Reviews of the ?rst edition: "Wide-ranging and deeply absorbing . . . a ?rst point of
reference for anyone interested in the meaning and prospects ...
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[BOOK] Art Practice in a Digital Culture
H Gardiner... - 2010 - books.google.com
... Notes on Contributors xv Stelarc is an Australian artist who has used prosthetics, robotics, VR
systems, the Internet and ... His projects include the Third Hand, Virtual Arm, Stomach Sculpture,
Exoskeleton, Extended Arm, Prosthetic Head, Muscle Machine, Partial Head and ...
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Subject objects
[PDF] from manchester.ac.ukL Suchman - Feminist Theory, 2011 - fty.sagepub.com
Page 1. Feminist Theory 12(2) 119-145 ! The Author(s) 2011 Reprints and permissions:
sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1464700111404205
fty.sagepub.com Article Subject objects Lucy Suchman Lancaster University, UK ...
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10 Inspiring Strathern
A Reed - Recasting Anthropological Knowledge: Inspiration ..., 2011 - books.google.com
Page 177. 10 Inspiring Strathern Adam Reed In this chapter, I want to explore what
it might mean, as an anthropolo- gist, to claim an intellectual debt. How should one
properly recognise the influence of the ideas of another? ...
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@ rte e Tecnologia: inserção das tecnologias atuais na produção cultural artística e seus efeitos no contexto social
[PDF] from usp.brC Braz... - Biblioteca Latino-Americana de Cultura e ..., 2011 - usp.br
Page 1. UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÃO E ARTES KELLY
CHRISTINA CARVALHO BRAZ @rte e Tecnologia: inserção das tecnologias atuais na produção
cultural artística e seus efeitos no contexto social São Paulo 2010 Page 2. 2 ...
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Telling interactive stories: A practice-based investigation into new media interactive storytelling
[TXT] from brunel.ac.ukS Atkinson - School of Arts, 2009 - bura.brunel.ac.uk
? ? TELLING INTERACTIVE STORIES A PRACTICE-BASED INVESTIGATION INTO NEW MEDIA
INTERACTIVE STORYTELLING A thesis submitted for the degree of Doctor of Philosophy by
Sarah Atkinson School of Arts, Brunel University March 2009 Acknowledgements: First ...
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